India’s Central Bureau of Investigation (CBI) has concluded that British-Indian actress Jiah Khan committed suicide following a “disturbed” relationship with actor Sooraj Pancholi. The CBI was directed by the Mumbai High Court in July last year to investigate whether the death at the age of 25 of the promising young …
Read More »#Acquitted: Salman Khan CLEARED of Death by Negligence in 2002 Hit-and-Run case.
Superstar Salman Khan has been sensationally acquitted in the 2002 hit-and-run case. The Bombay High Court ruled on Thursday that Khan, 49, was free to go. The ‘Prem Ratan Dhan Payo’ actor had been previously sentenced to five years in jail by a lower court for the incident. “On basis …
Read More »India’s Central Bureau of Investigation files chargesheet in Jiah Khan case.
India’s Central Bureau of Investigation (CBI), in a surprise move, has filed a charge sheet in the controversial case of the suicide of British-Indian actress Jiah Khan. The CBI was directed by the Mumbai High Court in July last year to investigate whether the death at the age of 25 …
Read More »#Dilwale: ‘I’m going to stick to what I know and that is acting’, says Shah Rukh Khan.
Bollywood superstar Shah Rukh Khan says actors and those in the entertainment industry should allow their work to speak for themselves and not get carried away by how people interpret seemingly innocuous comments. Khan, 50, came under attack on Social Media in early November after bemoaning what he described as …
Read More »#Damages: Reham Khan sued for $1 MILLION by first husband Ijaz Rehman.
Former BBC weather girl Reham Khan has been on something of a publicity blitz in Britain over the past few weeks, telling her side of the story following the acrimonious collapse of her 10-month marriage for Pakistani cricket legend Imran Khan. But it appears that her troubles are far from …
Read More »#Peace: ‘Let’s understand our differences instead of trying to erase them’ – Aga Khan.
The spiritual leader of Shia Ismaili Muslims Prince Shah Karim Al Hussaini Aga Khan called for greater cultural understanding between the Muslim World and the West, rejecting the notion of a fundamental ‘clash of civilizations’. In a speech at Harvard University, Prince Aga Khan once again insisted on pluralism and …
Read More »#Aftermath: Reham Khan’s made some pretty personal claims about marriage to Imran Khan.
The former BBC TV presenter Reham Khan has described her marriage and divorce from Pakistani fast-bowling legend Imran Khan as a “painful” and “disturbing experience”. In her first interview since the divorce earlier this month, Ms Khan told the Sunday Times that a “conspiracy” was hatched against her in Pakistan …
Read More »#TotalBS: Boxing promoter rubbishes Daily Mail “Exclusive” on Khan-Pacquiao fight.
One of the biggest boxing promoters in the US has rubbished reports in the Daily Mail that boxer Amir Khan has lined up Filipino legend Manny Pacquiao for his next bout. Bob Arum, the man behind Top Rank boxing, denied the “exclusive” published on Tuesday calling it “Total Bulls***!” Arum …
Read More »#ShortLived: It’s all over for the legend Imran Khan and glamorous British-Pakistani wife.
Pakistani cricketer-turned-politician Imran Khan has divorced his British TV presenter wife Reham Khan after months of speculation that the 10-month marriage was on the rocks. The news was confirmed by a spokesperson for Khan’s political party Tehreek-i-Insaf on Friday. The spokesperson described the split as “amicable” and by “mutual consent”. …
Read More »#UKAsianReview: Irrfan Khan is superb but ‘Talvar’ struggles to convince.
Based on the controversial Noida double murder case of 2008, Meghna Gulzar’s ‘Guilty’ falls between an unresolved whodunnit and social commentary.
The brutal murder of 14-year-old Aarushi Talwar and the parents held responsible for the apparent ‘honour killing’ was sensationalised by the Indian media, blatantly feeding into the voyeuristic appetite of millions of television viewers.
While the case hung suspended between police procedure and judicial enquiry, a nation entered this middle class home and ripped apart any sense of dignity or privacy.
Writer Vishal Bhardwaj takes the ‘Rashomon’ route to narrate the incident through different perspectives of the accused. The real life case lies unresolved, truth evades several enquiry probes, justice and law lie defeated.
The scene of crime is revisited and reconstructed as each accused throws up a contradictory angle.
This fictionalised thriller is based on one of the most controversial and intriguing murder cases in recent Indian history. This is ready stuff for gritty tightrope drama but the treatment and pace falters.
As real as constructed-for-camera drama can appear, the sequence unfolds repeatedly.
Helmer Meghna Gulzar keeps characters at bay and there is no empathy built for any.
The victim's mother Nupur (Konkana Sen Sharma) and father Rajesh (Neerja Kabi) play out their sketchy roles like wooden characters. It is a sad waste of acting talent as there is no inward subjective space offered.
The only character who negotiates layered space is Irrfan Khan’s CDI cop Ashwin Kumar. Brought into the case with reluctance, Irrfan’s wry humour, sceptical and sadistic interrogations engage us much more than the case itself.
Virtuoso actors, Irrfan and Tabu create a convincing relationship in just two scenes but their story finds no organic space in the larger narrative.
The most convincing and assured sequence emerges at the end in a round table gathering of investigators, each running down the other shadowing a larger political tension between police departments, judiciaries and government officials.
The more convincing characters are the local Noida cops (Gajraj Rao, Prakash Belwadi) who callously destroy vital evidence and open the path to what many believe, was a deliberate miscarriage of justice.
The very premise of a middle class girls’ murder in an honour killing is ready meat for the home audience and the diaspora. The rest of the world will also watch with curious eyes.
And the repeated revisiting of the bloodied bodies and the bedroom whet the very voyeurism which the electronic media has milked over the years.
Despite an uncomfortable premise and unsustained narrative pace, ‘Talvar’ does throw up questions about India’s crime and justice machinery, about private lives, scandals and public verdicts.
The sword of justice manages a thrust or two, leaving the viewer unsettled and questioning.
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